RFTC, the followup to their major-label debut
Scream, Dracula, Scream. After all, diversity isn't
Rocket from the Crypt's bag -- they just love rock & roll, baby, and all of the sleaze, leather, booze, bikes and babes that come with it. Before, they kept raw by producing their own records, but here they hired an outside producer in Kevin Shirley, who previously worked with
Journey. There's not a trace of
Journey on
RFTC, but Shirley has given the band a bigger, glossier sound that may distress longtime followers, who were into the whole
MC5/
Stooges/
Stones biker vibe of the earlier albums.
I totally copied that from allmusic
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